Super! An Alternative Romance
Written by Thomas, and drawn by me, this story of unrequited love is out just in time for Valentine’s Day! Download it here (10 MB).
In their commentaries to the Laozi, Wang Bi and Xiang’er take radically different approaches to the text. Between the two of them, they are liable to upset anyone who wants to get at the original meaning of the text, since they contradict each other at every turn. Westerners are keen to favor the more philosophical understanding of Wang Bi, which appears to take fewer liberties with the text. On the other hand, with his emphasis on maintaining harmony among the six Classicist social relations (p. 81), he is undoubtedly bringing to bear earlier, more conservative conceptions. Xiang’er, however, with his wacky sexual admonishments and his urgings to reject deviancy, comes across as downright proselytizing. Yet his seemingly bizarre ideas relate to older forms of Chinese religion, like ancestor worship. He talks about the afterlife rather than social harmony. At the heart of their differences are how these two commentators understand the Dao and the correct way to follow it. As religious Daoism overtook philosophical Daoism in popularity, the interpretations of ‘deliberate, contrived action’, or wei, and its ever-intriguing counterpart, ‘action without action’ or wuwei, seemed to morph while still remaining at the core of either’s interpretative understanding of the Laozi. How have ideas of wei and wuwei changed from philosophical Daoism a la Wang Bi to the religious Daoism of Xiang’er? Understanding the differences between them can help us better understand the relationship between these two divergent idea systems.
The original Chinese of the Laozi does not make its grammatical subjects and objects explicit. Instead, the interpreter can read vastly different meanings from the same passage. By assuming different subjects, the Xiang’er and Wang Bi commentaries already appear to be from different interpretative traditions. What Xiang’er takes as a command to convert evil people to the ways of the Dao, Wang Bi supposes to be a sanction of rulers who force things rather than encourage them: “‘Those with even less knowledge — terrify them’ / When you observe evil persons… draw near to them and explain to them the admonitions of the Dao, terrifying them with the awesome might of heaven so that they will reform themselves” (Xiang’er, 103), versus “‘The next [highest] is he whom they fear.’ This one is no longer able to lead the people with mercy and benevolence but relies on the power of force.” (Wang Bi, 78). Wang Bi says the still higher ruler should do nothing at all and simply trust people to do the right thing: “If one tries to enhance the condition of the people but violates their authenticity, ill will and conflict will arise” (ibid). Xiang’er understands this trust to be directed to the Dao rather than to people (103), so in his eyes the good are excused for acting against their enemies — which are, of course, the enemies of the Dao.
Wang Bi encourages would-be sages to teach by example instead actively telling people what to do, and lead by influence rather than proselytizing and enforcing laws. “Avoid insisting that you are right, and your rightness will commend itself” (Wang Bi, 89). This is the wuwei practiced by the philosophers’ Dao. Since the Dao is non-discriminating, its followers should be so as well, and not allow their own goodness to separate themselves from others. So it is that “the good man relies on goodness to keep in order those who are not good; he does not rely on goodness to discard those who are not good. This is why men who are not good are included by the good man” (101). Xiang’er, on the other hand, encourages the good to “revile and disgrace” those who would not be reformed (103). But according to Wang Bi, if your virtue distinguishes you, then it is not true virtue; if your following of the Dao causes you to cast others aside as unworthy, then you do not follow the true Dao.
Xiang’er introduces a different version of wuwei: it is not unselfconscious, but simply selfless. In order to submit to the Dao and follow its precepts without faltering, you must act for the Dao rather than for your own personal, worldly benefit. A better reward awaits adherents than can be granted by earthly authorities — immortality. “The spirits of the Dao call that person to return” (Xiang’er, 135). The Dao is seen not as the complete universe, but as a distinct entity within the universe, which nonetheless has powers that transcend all earthly ones. Yet at the same time it is tied to Earth by its attachments and desires, specifically regarding humans’ well-being. “The Dao’s aspiration is to be without body. It wants to nourish the spirits; that is the only reason it has a ‘body.’ Desiring that people model themselves on this, the Dao expresses it” (94). In other words, its attachments prevent its complete transcendence until people cultivate their own bodily spirits and pneumas. Compare this to Wang Bi’s version of the Dao, which is formless and “brings things to completion thanks to its freedom from attachments” (86, emphasis added). Xiang’er’s anthropomorphic Dao manifests its will in the form of the Laozi and other teachings (113) in order to encourage people to perfect themselves through duty and faith.
Wuwei is directed non-action: action away from the self and towards the Dao. Xiang’er encourages the avoidance of bad behaviors, so that good behaviors will naturally follow. “‘What is hollowed out will become full.’ ['Hollowed out'] means self-effacing and vacant. When one does no evil, in its place is emptiness. That Dao might be compared to water; it delights in filling empty places. When [the Dao] occupies the place where evil was, the pneumas of goodness return to fill you” (Xiang’er, 115). Similarly, he advocates celibacy, saying that “those of higher virtue possess iron wills and are able to stop coupling for the purpose of reproducing” so that “beneficent” spirits will form (84). Usually willful action is called wei, which is admonished in the Laozi. For Xiang’er, wei is the pursuit of conventional rewards, like money, power, and personal security. Wuwei, by contrast, is a different kind of willful action. The Daoist must discard worldly honors and desires, which “carve away at one’s will” (126), and thus become receptive to even more powerful forces. This requires hard work and conscious effort to achieve: “The injunctions of the Dao are extremely difficult. The Transcendent nobility achieve the Dao only by virtue of their wills” (135). But once they do achieve it, the Dao takes a liking to them and “will benevolently seek to receive them” (118), preserving them from an earthly death and granting them eternal life.
The philosophical idea of wuwei is quite different. It is a passive acceptance of the nature of things, as they are, without trying to change them. The philosophical Daoist “should follow the nature of the people and not try to carve them into shapes according to forms external to them” (Wang Bi, 100). According to Wang Bi, the Dao is already fully transcendent and not dependent on human action, and so it is indifferent as to how people behave. “Heaven and Earth allow things to follow their natural bent and neither engage in conscious effort nor start anything, leaving the myriad things to manage themselves. Thus they ‘are not benevolent’” (Wang Bi, 60) and also practice wuwei. The Dao’s absolute universality is what allows it to be in harmony with anything and everything. Since the Dao is part of the world rather than apart from it, wuwei cannot be defined as active striving to be one with the Dao. Rather, the sage “follows the path of the Natural, neither formulating nor implementing, [and] thus things attain perfection without his leaving track or print on them” (100). He does not have “conscious desire” (66) and so he does not control things. He does not push and pull in an attempt to change what is.
The Dao, in its infinite infinity, encompasses even the most willful actions. But the person who is actually practicing wei is frustrated because in his attempt to create good, he creates evil right along with it. Wang Bi emphasizes that things will still happen even when there is no conscious action: “The one who does not act causes action, and he one who does not move causes movement” (98), like the Dao itself. Removing the ego from the equation allows the Dao to take its place — in a way parallel to the way the Dao takes the place of evil within Xiang’er’s Transcendent noble — and things will be harmonious. “With such impartiality, he [the true king] attains the state wherein he has universal peace” (76). For Wang Bi, emptiness is a function of removing the ego instead of removing evil. Wuwei is about not striving, since we have already achieved the Dao.
The Xiang’er and Wang Bi commentaries have completely contradictory notions of the Dao and how to accord with it. Wang Bi, a philosophical Daoist, imagines a Dao from which you cannot escape: “If the myriad things were to abandon it and seek a different master, where would such a master be found? … It becomes one with the very dust but does not compromise its authenticity” (57). Practicing wuwei means behaving like the Dao, and allowing all things to take their natural course. Xiang’er, representing the religious Daoist position, maintains that you should “strictly control yourself by means of the precepts of the Dao; urge yourself on with the [hope of] long life. By these means you will reach the desired state” (80). For him, wuwei is the complete opposite of Wang Bi’s wuwei: his Dao is prescriptive, and it requires conscious effort to not fall off the (not-) horse. Wang Bi’s wei is just this sort of goal-oriented and willful behavior, but for Xiang’er there are good goals and bad goals. Wuwei is seeking the good goals of emptying oneself of evil and attaining transcendence. Both agree that wuwei is the way of the Dao, but what they mean by ‘wuwei’ and ‘Dao’ are completely at odds.
This contradiction occurs without either side overtly attacking the other’s point of view, placing in doubt the idea that religious Daoism developed from the earlier philosophical tradition. Instead, given the vast discrepancies between the Wang Bi and the Xiang’er commentaries, it seems more likely that there were two independent discourses that each read the Laozi as a source of wisdom upholding their own prior beliefs. The original text is full of ambiguities and paradoxes as is, and how we sort out those ambiguities and answer those paradoxes reveals something about who we were before we came to the text, even as the very act of interpretation transforms these earlier thoughts into the symbols of the Laozi. Even though the two groups — philosophy and religion — had very different ideas about the Dao and wuwei, the fact that they molded themselves to the same text and adopted some of the same language creates the (perhaps) false impression that they were part of one larger movement from philosophy to religion. These two idea systems are just too incompatible to be understood as denizens of the same symbolic universe. If the true Dao transcends all divisions, then we have not yet found it.
or, Why It’s Not Called the Feminogion
The Mabinogi — that is, the first four branches of the Mabinogion — is surprisingly sympathetic towards women. Female characters play a central role: they make decisions that are important to the plot, voice their interests, and get justice in the end. Most of the women are positively portrayed, being competent, conversant noblewomen who speak out when they are wronged. Men, too, are often compliant with their wishes, and value them as mothers, wives, lovers, and companions. But as much as the Mabinogi proper is more feminist than one would expect (especially compared to the rest of the Mabinogion), it is far from egalitarian. Female agency is defined against a world dominated by men, and in the pursuit of their own interests women must negotiate with male power and be prepared to lose. Whether queens or pawns, their worth is measured against the king’s.
Rhiannon is the most prominent and multi-faceted female character in the Branches. No mere object of men, she takes matters into her own hands when she is promised to Gwawl. She seeks out the man she truly loves, Pwyll, and hatches a plan to defeat Gwawl. While it is true that Pwyll is the one actually carrying out the plan — that is, Rhiannon apparently does not have the authority to reject Gwawl outright — she is clearly competent at achieving her own ends in a man’s world. She even makes jokes at Pwyll’s expense: when he takes several days to ask her to stop, she says, “I will gladly wait… and it would have been better for your horse if you had asked that a while ago!” (p. 10) And when he offers to fulfill Gwawl’s request without first asking what the request is, she mocks, “Be silent for as long as you like… Never has a man been more stupid than you have been” (12). From the get-go, she is the one in control. Pwyll is described as following Rhiannon’s “orders” for getting revenge on Gwawl (13), for negotiating his bail conditions (15), and even paying the entertainment (15).
Yet as soon as she gets married, Rhiannon becomes perfectly meek. Pwyll is no longer under her control, but rather his noblemen’s, who practically command him to take a new wife who might be more prolific: “Although you may want to stay as you are, we will not allow it.” (16) He defends her status as his wife, but does little to protect her against the rumors that she ate her own child (17). This is not out of character for Pwyll, but Rhiannon, who earlier shows such gumption, now quietly accepts the punishment doled out by “wise and learned men” to give people piggy-back rides to the court (17). On the other hand, she is not being completely dominated by these men in power. The author depicts her as the decision-making agent, choosing to come quietly instead of putting up a fight. After all, it is Rhiannon herself who summons the wise men. She doesn’t comply because they are men of authority but because “she thought it better to accept her punishment than argue with the women” (17, emphasis added).
Rhiannon’s nobility is demonstrated by generosity (15-16) and by the fact that no one really believes that she is guilty, nor accepts the terms of her punishment. Even after she tells people that she ate her own baby, still “rarely would anyone allow himself to be carried” (17). In fact, people complain “about the wretchedness of Rhiannon’s misfortune” and Teyrnon is sad to see “a noblewoman as good as Rhiannon” have to suffer for something she did not do (19). The common people sympathize with her as much as the reader, but when her son is finally returned to her and the rumors reputed, she is the only one at court that expresses relief (20). There are no apologies. Pwyll takes charge for once in his life and sends his son off to a foster family just as soon as the boy receives the name his mother gave him — Pryderi. And when her son grows up and her husband dies, Pryderi marries her off to his best friend. “I will agree to that gladly”, she says, but it is not clear that she has a choice in the matter (36). As a maiden in her father’s household, Rhiannon takes charge of her own future, even going behind her father’s back to marry a different man. Once married, however, she relies on her reputation instead of her wiles. This good reputation of hers is founded upon modesty and subservience, so rather than accuse her women of lying, or complaining about the injustice of her punishment, she trusts others to do the right thing for her. Only the fact that she is portrayed as actively choosing a passive role hints at her latent power to affect change.
Branwen, from the Second Branch, also portrays the good characteristics of a noblewoman. She is generous, renowned, and delivers a male heir right on schedule (29). In constrast to Rhiannon, however, her character begins life as pawn being possessed and positioned by men, and then takes agency when she is unfairly punished. The people of her kingdom are unhappy that her husband is not avenging himself on her countrymen, so they Branwen is made to cook every day where she gets hit by the butcher (28). In response, she raises a starling, attaches “a letter telling of her punishment and dishonor” to its wings, and sends it to her brother as a cry for help (28). Compared to Rhiannon’s well-formulated scheme, this is a bit more reactionary. Perhaps a damsel-in-distress routine is the best she can pull off, considering she is treated merely as an object with enough value for men to exalt or diminish in the furthering of their own political agendas. Rhiannon’s character is strong enough that her status as a noblewoman remains intact despite her humiliation, but Branwen notes, “I am no ‘lady’” (29). Her fallen state is reversed only when her brother comes overseas to demand it.
On the other hand, the men in the Mabinogi do not always treat women as property. In a surprising turn of events, Math son of Mathonwy marries his foot-virgin after she is raped by his nephew, Gilfaethwy. She literally starts out as a footstool, for Math “could not live unless his feet were in the lap of a virgin” and she is just as much an object of Gilfaethwy’s lust (47). Like Branwen, this maiden — Goewin — is the source of strife in the sphere of men and kings. Gilfaethwy elicits the help of his brother Gwydion to start a war, the one condition under which Math can leave his foot-virgin. When Math returns, however, Goewin tells him pointedly to “look for another virgin to hold your feet now — I am a woman” (52). She reveals that she struggled and resisted, but though “everyone in the court knew about it”, no one came to her aid (52). Here is the spark we saw in unmarried Rhiannon, a spirit strong enough to resist domination, address those in power, and make accusations. In fact, she practically demands something be done about it.
In seeking sympathy, however, she emphasizes that Gilfaethwy “shamed you” and “in your very bed” no less (52). Instead of seeking retribution directly, she goes through the male channels through which power conventionally flows. Like Rhiannon, she acts decisively but indirectly. This could be indicative of her close relationship with Math, which does not at first appear to be romantic and may in the end be relatively platonic. This is revealed in his surprising response to her complaint: Math does not treat Goewin as a piece of furniture, but actually offers her marriage and power. “I will take you as my wife… and give you authority over my kingdom.” (52) What makes this so remarkable is that at the time, a non-virgin wife was liable to be cast out by her husband as damaged goods. Virginity is even more explicitly one of Goewin’s job requirements, but instead of firing her — which would surely ruin her by leaving her shamed and disqualified for wedlock — Math protects her by taking her as his own wife. Interestingly, they do not express affection for each other so much as respect. Pwyll may be following Rhiannon’s suggestions out of love, but Math seems to genuinely hold Goewin in high regard.
He even counters her maneuver to put his shame before hers: “I will arrange recompense for you first, and then I will seek recompense for myself.” (52) In the company of men, however, he takes a different approach: “Had it been my will,” he tells the villains, “I would not have lost all those men and weapon. You cannot compensate me for my shame, not to mention Pryderi’s death.” (52) Goewin’s dishonor is not an issue in the court, where she is viewed only as a servant. Her much greater value to Math is personal. Yet at the same time, the Mabinogi is not usually so subtle, and after all, a war was fought over Branwen’s dishonor. A more likely reason for his not bringing up the subject with the rapist is that Math has already fulfilled the first half of his promise: “I will arrange recompense for you first.” That recompense is marrying her and giving her the keys to his kingdom. The cruel and unusual punishment he bestows — that of turning Gilfaethwy and Gwydion into animals for three years and forcing them to mate with one another — is his own revenge, not Goewin’s. Indeed, the customary punishment for rape was a mere fine.
All the women so far have been unquestionably virtuous. If they get into trouble, it is unwarranted, and other (male) characters always restore their deserved status in the end. This is less clearly the case with the sorcerer’s wife from the Third Branch, who volunteers to be turned into a mouse so that she can help her husband wreak vengeance upon Pryderi (45). She is caught and held for ransom, but upon release is described as “the fairest young woman that anyone had seen” (46). This suggests an innocence on her part, and her pregnancy does her credit as a noblewoman, leaving most of blame to the sorcerer.
Blodeuedd takes matters into her own hands when she initiates an affair — you can tell she’s the one in control because her lover has to ask her permission to leave (59-60) — and this time the woman really is guilty. She tricks her husband into giving away the secret of how he can be killed, maneuvers her paramour to do the act (61), and in the end is punished for it by being transformed into an owl (63). It is permanent, as no one thinks the punishment unjustified. She has no one (no man) to turn to who values her enough to stick up for her.
Aranrhod is never punished or imprisoned, although she lies about her virginity and rejects her children. These are not exactly crimes equal to adultery and betrayal, however. Her comeuppance takes the form of having the curses she bestows upon her son be constantly evaded. She is cranky and ultimately ineffectual, serving mainly as a foil to Gwydion’s cleverness — not an insurmountable threat, yet also not an object to be pushed aside easily when desired. In truth, after she fails the virginity test (54) and renounces her son (55), she has little value to world of men. It is this very fact that gives her power to affect men’s destinies.
The world of the Mabinogi is a man’s world, but women with social currency — virginity, beauty, intelligence, fertility, generosity, and meekness — find themselves at the center of the narrative. They can swing things in their favor by taking advantage of their value to men and asking — or telling — them to act in their stead. Rhiannon and Goewin are given voices, sympathy, and respect because they push their own interests into the realm of male power-plays. In neglecting her interests, Branwen barely becomes a character, despite being central to the plot of the Second Branch. But as Rhiannon discovered, the very features of a noblewoman that gives her power also limits that power to specific arenas. She tries to play the game but gets hemmed in by the end, a frustrated pawn who realizes that she does not make the rules.
In the Mencius, Heaven is the behind-the-scenes force that defines ethics and provides the impetus for people to behave according to its moral precepts. According to Mencius, people are naturally good. All we have to do is find it within ourselves and express it outwardly, and everything will soon fall into place. Ethics is harmony — it is an expression of the deeper patterns of the universe, and it has real social value for those who draw upon its power. Mencius uses the metaphor of seedlings to describe the cultivation of moral behavior time and again: they are within us at birth and can either grow or wither depending on how we live our lives. He does not simply attribute these seeds to Nature, however. He attributes them to Heaven.
To understand what Heaven has to do with ethics in Mencius, we must first understand what Mencius means by Heaven. He does not mean it as a place or a state we hope to reach, but rather as a set of principles by which the world is governed. It is a force beyond the control of individuals: “When something is brought about though there is nothing that brings it about, then it is Heaven that does it” (V. A. 6). Yet Heaven is not a personified deity, for it speaks through people rather than to them. Mencius quotes the T’ai shih as saying, “Heaven sees with the eyes of its people. Heaven hears with the ears of its people.” (V. A. 5). He uses this to explain how Heaven accepted Shun as Emperor exactly when the people did. Heaven was thus embodied by the masses when they chose a True King to lead them, though this does not mean that Heaven controlled the masses like so many puppets. Heaven is more the force of society than any external divine force. Indeed, the very form of society is “due to Heaven” whether “men of small virtue serve men of great virtue” or “the weak serve the strong” (IV. A. 7).
That being said, Heaven definitely has a bias towards the good. Mencius speaks of the Way of Heaven as a path from which the irreverent deviate (IV. A. 12), and of a proper Destiny that can be dodged by straying from that path (VII. A. 2). The world as set up by Heaven resembles a board game that we can only win by being good. Each of us starts the game with the potential for sagehood — what Mencius calls the four germs (II. A. 6) — but this does not guarantee that we will always follow the Way. We must cultivate our innate morality so that what is second nature can express our original nature. For the great man, “the retention of his heart and the nurturing of his nature are the means by which he serves Heaven” (VII. A. 1).
Yet how can Heaven, as a societal force, be so deeply embedded in the individual? Society is composed of individuals, so the patterns it expresses on the large scale must originate somewhere in the small scale. Mencius says the key to social harmony is personal benevolence, the glue that binds people together. When we put benevolence into action, we follow the Way (VII. B. 16). Benevolence is one of the “honours bestowed by Heaven”, along with honesty and dutifulness, which contribute to stable, trustworthy relationships. As we recognize the kindness and respect of others and reciprocate with those we care about, the “honours of man” naturally follow these honours of Heaven (VI. A. 16). Additionally, since goodness is innate, expressing it outwardly by following the traditional roles and rites of society is being to true to oneself as much as it accords with the Way (IV. A. 12). “That is why a gentleman wishes to find the Way in himself” (IV. B. 14).
Because of our natural tendencies toward benevolence, it is both contagious and powerful. Once again, in the game that Heaven has set up, morality is more than just an expression of inner virtue. It is also a very effective force in the world. The game rules favor the benevolent: “The people turn to the benevolent as water flows downwards” (IV. A. 9). The people will follow the lead of benevolent people, for “there has never been a man totally true to himself who fails to move others” (IV. A. 12). This is true for any man, but it is especially true for kings. Heaven’s Mandate is given to the effective ruler, and he loses this seemingly ‘divine’ sanction the moment he fails to bring harmony to his kingdom. A malevolent prince may be able take power, but he can only maintain his rule by brute force. A benevolent prince gains his power from Heaven — which is to say, from the people — and brute force cannot easily take that away. “One who has the Way will have many to support him” (II. B. 1), so although other states “may be big in size… what is there to be afriad of” (III. B. 5)? Heaven’s approval comes in the form of enthusiastic and loyal subjects. Mencius speaks of kings, but even us commoners can appreciate the trust and support of friends that we foster through our own integrity. Ethical behavior gets us ahead in the game of life.
It is easy to see that if everyone were benevolent we would live in a utopia with no conflict or suffering. Benevolence is the seed planted by Heaven, and to bring it to fruition is the extend the power of Heaven — that is, the strength of a well-ordered society. The problem is that people are so often not benevolent, that it is difficult to see how the Way could ever be realized. But Mencius puts so much stress on family and rulership that these must be as fundamental to realizing his ethics as benevolence itself. His ethics concern those in power more often than not, because they are the ones in the best position to change society. “In obscurity a man makes perfect his own person, but in prominence he makes perfect the whole Empire as well” (VII. A. 9). The more relationships he participates in, the more people he can touch with his benevolence. He can lead the Way. A ruler is more than just a moral example, however, for he can also cultivate the seeds of Heaven among his people by removing the weeds of bad influence and strife. For example, he can reform (or fire) faulty feudal lords (V. B. 4) and provide plenty of food to the masses (VII. A. 23). This way people will not be distracted from their benevolent natures.
Since benevolence is indeed our true nature, and because integrity involves coordinating our habits of thought and action with this inner nature, to be true to ourselves we must be actively benevolent. This necessarily involves relationships — self-perfection cannot be done in isolation. Relationships are two-way streets, so as much as we can influence others, evil friends will help us to do evil and good friends will help us to do good (III. B. 6). That is why benevolent people should associate most closely with the good ones (VII. A. 46). They shouldn’t give up entirely on their evil acquaintances, though, because “if those who are morally well-adjusted and talented abandon those who are not, then scarcely an inch will separate the good from the depraved” (IV. B. 7). But Mencius also says benevolent people are justified in leaving when things get really bad (IV. B. 4). Now the source of benevolence is lost among evil friends and malevolent kings, and it is not clear how the seeds of Heaven, once they are found, could possibly flourish in a disordered society so overgrown with weeds that even the sages abandon it. This takes us back to the other fundamental source of ethical behavior: the family.
There is a most puzzling passage in which Mencius praises Shun for loving his brother Hsiang and his father the Blind Man, even though they keep trying to murder him (V. A. 2). His family members are the antithesis of benevolence and an active threat to a harmonious and well-ordered society, yet Shun does not try to escape from his familial relationships. In fact, he is pleased when Hsiang “came [to him] as a loving brother”, though all the while Hsiang was plotting against him. The seeds of our benevolence lie in our innate love for our kin. If we abandon our families, we abandon the roots of moral virtue. For Mencius, like Confucius before him, the relationships between parents and children, and younger siblings and older siblings, are the most fundamental relationships from which all others are based.
In the end, Shun is able both to love his brother and support his subjects. When he becomes Emperor, Shun gives Hsiang the land of Yu Pi, but then puts his own officials in charge of the actual government. “Hsiang was certainly not permitted to ill-use the people” (V. A. 3). Being a True King, Shun is probably better at this sort of compromise than other people, but Mencius makes it clear where our priorities should lie. If our heart is in order, then our family relationships will be in order, and only in then can our more peripheral relationships be made right (IV. A. 12). Indeed, when Shun finally pleases his father by being a dutiful son, the whole Empire “was transformed” (IV. A. 28). Using our Heaven-given hearts to focus on truly important matters, while not getting distracted by the less important concerns presented by our external senses, we, too, can achieve greatness (VI. A. 14).
Heaven is the course through which goodness flows. It is not a divine agency, though it is beyond human control. It is that which gives people the potential to be good, the seeds of benevolence that grow naturally toward kin and other morally virtuous people. It is the rules of life’s game, responsible for the real rewards that ethical behavior can bring in terms of self-fulfillment, supportive relationships, and kingly power. It is also the force of an ethical society to bring peace and unity to the Empire. Heaven can also bring destruction to those who do not follow the prescribed path, and its punishment does not come in the afterlife. Mencius saw the turmoil of his times as being caused by people rejecting their inner goodness. He saw the principles by which ethical and unethical behavior create emergent patterns of harmony and chaos in the larger society, and he called those principles Heaven.
When you are outside, listen to the birds. What are they chattering about? Have they found a morsel of food? Are they showing off for a mate? Are they chirping about you? They aren’t singing for you, that’s for certain. You can trick one into a cage and it will still sing, but he is still not singing for you. He is calling out desperately for freedom. Even when he joins the morning chorus of the other birds, he does so because he is still part of their world — the bird world, which he can navigate with grace and skill. And yet you call him stupid for beating his wings against the walls of his cage when there is clearly no escape.
When you go past a farm, look at the animals, hemmed in by fences and tied to trees, trudging through mud and nibbling grass, raising families and sharing the day with friends. Yet at any moment their children and companions could be torn away, and they themselves can be taken off to be killed, raped, or relocated. Their ancestors were great beasts who roamed over large plains and forests, free to raise their families, follow their friends, and fight their enemies. Yes, they were hunted by predators, but they could trust to their strength and skill to defend themselves — both sides had a chance. Now they are merely slaves. Their lives are dictated by the whims and desires of human beings instead of their own, and they are cut off from the worlds in which they had power.
To make kings our prisoners does not make us greater than kings. It makes us small indeed.
In the time before fiction, there was only history. There was one world, and it served to contain both fact and fantasy, in short anything one wished to put there. While some historians, like Bede or Gildas, may have endeavored to describe real events, Geoffrey of Monmouth used history to re-imagine Welsh folklore. In the format of a history, he could be sure his writing would be taken seriously by his literati audience. Indeed, his creativity captured their imaginations, and it became a popular hobby to interpret Merlin’s prophecies from Book Seven. Geoffrey moved in elite Norman circles, but he grew up in Wales and knew Welsh legends, at least enough to adapt them to a new form. But he lived in Norman world.
Though he claims legitimacy by writing them as history, and a translation of an older historical work at that, there are hints that he doing something more overtly creative. Battles are fully narrated, with details of strategy and emotion. Arthur’s troops “arranged themselves into twelve wedge-shaped battalions of infantry” (192), and later in the fight “Bedivere’s nephew Hirelglas, grieving beyond measure at this uncle’s death, gathered three hundred of his men to him and, like a boar amid a pack of hounds, led a mounted charge straight into enemy lines” (193). This poetic language evokes the genre of epic more than bland fact-based history. The Britons are great heros of the past, not real threats to the present.
They are also presented as torch-bearers of the Christian faith, and it is Christianity that must eventually triumph over the invaders rather than the Welsh themselves. An angel tells Cadwallader “that the British people would regain the island through their great faith in days to come” (216). The fortunes of the Britons rise and fall with their faith, and as people turned to fornication and sin, Cadwallo explains in a speech, “they accepted Satan rather than the Angel of Light. Their kings were anointed not on account of God but because they were crueler than the others… God truly wanted to exact vengeance upon them, and he suffered foreign peoples to come and drive the Brtions from the lands of their ancestors” (209). Even King Arthur’s greatness is linked to Christianity. The Welsh Arthur was no more Christian than anyone, but Geoffrey’s Arthur builds churches wherever he goes, holds a shield depicting the Virgin Mary, and evokes the image of Christ for his soldiers (166). His actions lead to peace and prosperity, epitomized by Norman values of chivalry (176). But in battle faith leads to victory, great faith to great victory, and Arthur’s faith to the greatest victory of all — he conquers his way to very gates of Rome (196).
In fact, Christianity is the basis for most of the morality in Geoffrey’s work. Vortigern’s love for a pagan is the result of Satan (122), and it leads to the Saxons invading Britain. By contrast, Uther Pendragon’s love of Igerna, a married woman, is sanctioned because she is Christian — there is no indication that this love is problematic, and Uther attacks her husband Gorlois, a nobleman of his court, and rapes Igerna without plot-related or authorial condemnation. In fact, this is celebrated as the night Arthur was conceived (159). Meanwhile, the Welsh Mabinogi presents a very different ideal, where rape or even unrequited interest are severely punished. When Gilfaethwy rapes Goewin, Math marries her and turns Gilfaethwy into cross-gendered animals, and Rhiannon’s unwelcome suitor Gwawl gets tricked into a bag and beaten like a piñata.
Geoffrey is writing for a Norman audience, and he is not proselytizing Welsh virtues to them. Nor is he anti-Welsh, for he depicts the British as the heroes of the story, paragons of faith and fighting, the highest Norman virtues. The epic overtones and appeals to his audience’s aesthetics suggest that Geoffrey is not trying to promote a political agenda through the lens of historical fact — rather, he is telling a story through the lens of historical narrative.
In our modern, Western culture, we conceive of two distinct categories of animal: wild animals, who live in nature and must be hunted if they are to become food; and domestic animals, who are considered property and usually destined for human plates. We recognize domestic animals as cultural products, created through artificial selection to better serve our needs. They represent our domination of nature, even the very evolutionary forces behind it. On the other hand, wild animals are often thought of as noble beasts, worthy of our protection or at least consideration, while domestic animals are stupid, unfeeling, and uncouth. Yet all this presupposes a divide between nature and culture, a line crossed only by humans — specifically modern, Western humans. There is a wide spectrum of human-animal relationships, ranging from the most intimate acts of pig-suckling to the most distant remove of eating star-shaped chicken nuggets. And in the end even intimacy doesn’t guarantee interspecies understanding.
Sheep are very special to the Navajo. They are not a native species, but once introduced by Europeans in the 1600′s, the Navajo began breeding the sheep themselves and before long sheep herding was a way of life (“Churro Sheep History”). The introduction of domestic animals required a change in thinking, however, from traditional conceptions of animals as powerful spiritual beings. The Navajo believe that humans and animals “are products of the same act of creation and are essentially the same type of being”, therefore worthy of respect “both actual and ritual” (Downs 90). Game animals who are killed during a hunt are considered complicit, sacrificing themselves for the well-being of humans. This is not an uncommon belief in hunter-gatherer societies, and it is one that reinforces the close relationship between humans and nonhumans: “A hunt that is successfully consummated with a kill is taken as proof of amicable relations between the hunter and the animal that has willingly allowed itself to be taken” (Knight 3).
But the practical details of maintaining a herd of sheep come in conflict with this ideology. The rough treatment required of the herdsman — “sheep must be man-handled, killed when needed, earmarked, vaccinated, beaten, penned, shouted at, and so forth” (Downs 90) — meant that values of respect had to be compromised in order to adopt this lifestyle. The sheep became part of a new category, that of domestic animals. The animal kingdom was thus split between those with power over humans and those whom humans overpowered. “As domestic animals became more useful… their spiritual qualities evaporated” (Bulliet 42) and the Navajo developed a method for taking it away from them.
‘Marking’ is the process by which human owners assert their control over animals, removing their ‘natural’ powers. As one person explained it, “Us Navajo we say that a dog or a sheep or a horse ain’t really yours until he’s got your mark on him. Cut off his tail or ear or something. Then he’s yours” (Downs 91). Wild animals and humans maintain the same origin, but these introduced creatures have their own origin, one of artifice. Yet at the same time sheep can be substituted for wild animals in ceremonies (Wood 26), and there is always the danger of an unmarked animal remaining untamed and unmastered. The division is drawn uneasily for the Navajo, perhaps because the category of domestic animals is even more artificial than the sheep.
Sheep maintain a more distinctive position in Navajo culture than mere specimens of a shaky taxonomy, however. As the center of domestic life, they are potent symbols of family and identity. Of all livestock kept by the Navajo, sheep are one of the most labor-intensive (Wood 29). Many of the activities surrounding the herds are done communally, and some require the participation of the entire family (Downs 91). Sheep must be herded year-round, and most families keep their sheep near their homes (Wood 29). When Navajos start or expand their own herds, most “obtain their animals from relations as gifts” (26). These practices may increase people’s intimacy with their sheep, but they do more to increase intimacy among the humans involved.
Navajo say that sheep herding “keeps our family together” and provides a “sense of belonging” (Wood 26). Perhaps sheep are attributed value and respect after all, since “the word ‘love’ is used frequently to describe a Navajo’s feelings toward his sheep” (Downs 92) and a person might reasonably travel home simply because “I haven’t seen the sheep in a long time” (91). But love for one’s livestock is no more conducive to treating them like property — with the requisite marking and rough handling — than seeing them as spiritual equals. The sheep aren’t loved for their own sake, they are loved as a symbol of family solidarity. And when the family is falling part, the sheep get neglected as well (92). They become a tool for “expressing both affection and hostility towards one’s close relatives” (ibid), and their possession is a means of social interaction as much as it is an economic venture.
The sheep herds also become deeply tied to concepts of community identity. Just as the individual herd is a symbol of one family group, the Navajo-Churro breed itself is a symbol of Navajo culture. The Churros’ properties — their hardiness, the quality of their meat and wool — are held superior to those of “contemporary breeds”, and the Churro’s history parallels the struggles of the Navajo themselves (“Churro Sheep History”). This is not a fabrication, either: Since domesticated animals have been “constructed by people to fit into particular rural spaces” (Yarwood 99), they get intertwined with the places and ways of life specific to the people who bred them. As the people moved, the animals went with them; as the culture changed, the animals changed (100).
It was only in the 18th and 19th centuries that the development of more ‘scientific’ methods of selective breeding, for the purposes of improving efficiency and product quality rather than socialization, “led to the diffusion of livestock breeds across wider areas and diluted association with particular places” as well as the people who lived there (100). The contemporary breeds that the Navajo compare to their own to are not integrated into human society, nor are they icons of particular families or cultures. As purely economic commodities, they would seem to be especially unavailable for human-animal relationships. Yet the Navajos, with their intimate ties to their sheep herds, do not truly relate to their sheep at all. The sheep are used as an interface for building family relationships and community identity. They are physically maimed to symbolically strip them of their wild nature and place them solidly in the realm of human control. Any identities the sheep might have of their own, and whatever ‘natural’ functions they might have, are appropriated for sociocultural use.
It is not clear from this brief and selective ethnography whether the Navajo are dualistic or monistic with regards to the nature-culture divide, but it is clear that domestic animals are singled out as animals wholly encompassed by human social relations. The Navajo’s concern over marking them makes their default state ambiguous, however, as if without bringing them into the fold of humanity they would maintain some of the power of non-domestic animals. Thus they require constant vigilance to keep them as cultural symbols. They do not just bear the brands of their owners, they become them.
In Papua New Guinea, there are wide range of cultures, but pigs are important to most. Although pig-raising peoples may be said to keep domestic animals, the reality is that the relationships between people and pigs are much more variable and complex. As with Navajo sheep, domesticity is more meaningful as the integration of pigs into New Guinea societies than as a property of the pigs themselves.
Generally, there are three types of pig-raising cultures. The first is exemplified by the Kubo, who live in the lowlands where there are an abundance of wild pigs. Even so, the Kubo keep domestic pigs, which they catch as piglets and raise in the most intimate manner (Dwyer & Minnegal 39). A single woman acts as a piglet’s carer, supplanting its attachment to its actual mother (40). The piglet sleeps in her house, and is isolated from all other pigs until it is finally old enough to forage on its own (ibid). At this point the pig is moved away from the village — the pig has formed such a close attachment to its carer that it is actually dangerous to other humans (ibid). If the attachment is too great, the pig may return to the village and wreak havoc. In one case, a sow made her nest nearby, and “both the piglets and the sow were judged to be worthless. The former were killed by the carer when they appeared in the village and the latter dispatched soon after by fabricating a need to give gifts of pork” (41).
The bond between human and pig is apparently one-way. Indeed, women are not particularly disturbed when these pigs, whom they raised from two-week-old piglets, are slaughtered. “Kubo women do not cry at the time a pig with which they have been so intimately associated is killed… They soon return to the butchery site to issue directions concerning the distribution of portions of the carcass both before and after cooking” (52). It may only be in our postdomestic age that we are able to feel moral qualms when faced with the reality that domestic meat animals are destined to be killed and eaten (Bulliet 3). Such a practical outlook is also had by the Wola women, who tend herds of pigs for themselves and male relatives, but still give them individual names. Yet they assert that the names are for utilitarian purposes only, and that they have no “emotional attachments to the pigs in their charge. They do not hesitate on occasion to eat pork from animals they have kept” and only get upset when their pigs are traded without their consent or compensation (Sillitoe 250).
The Wola are thus placed in a second category, in between the extremes of the hunting-and-gathering Kubo and a third category, that of the pig-farming highlanders. The people living at higher altitudes do not have plentiful wild foods, such as the bananas that sustain the Kubo, so they — specifically the women — grow sweet potatoes in their gardens (Dwyer & Minnegal 49). This gives them less time to spend caring for pigs individually, and the pigs themselves pose a danger to the crops rather than humans. They are therefore fenced in where they associate primarily with each other (ibid). Fortunately there are also few wild pigs, so the domestic ones remain domesticated and tame without much human interaction (ibid). On the other hand, the greater division of labor between men and women creates more tension, especially surrounding the pigs.
Pigs are cared for by women, but they are owned and controlled by men. A Kubo woman’s pig is hazardous to anyone but herself, so it remains under her control. The close attachment it forms to its caregiver requires that any transactions involve her consent (53). Pigs are important entities of wealth and ceremony for New Guinea peoples, forming the glue of interpersonal and intercommunity relationships (Sillitoe 242). They also act as symbols for the women who raise them, granting respect for adept management (241). And when the women are slighted, they frame their discontent in terms of the pigs, crying over slaughtered animals and lamenting the deaths of those so close to their hearts — even though “the pigs they weep for may well be ones which they themselves did not feed as young animals” (Dwyer & Minnegal 53). These public displays of emotion among highland women do not represent actual attachments to the pigs, but are “public statement about the usurpation of the product of their sustained labor” (ibid). Even among the Wola, it is the men who control pig slaughters and exchanges, and it is the men whose social status depends on the success of these activities (Sillitoe 242). The pigs themselves are left as pawns.
In the middle category, occupied by the Etoro and the Maring as well as the Wola, pigs are treated neither as commodities nor as troublesome children. They are raised with an intermediate level of attention which makes them friendly with all humans (Dwyer & Minnegal 43). For the Maring, they become productive members of the community, weeding and aerating the gardens, eating garbage and waste, and of course providing pork for ritual occasions (Rappaport 57-58). The pigs are still kept by women, and a piglet “receives a great deal of loving attention — it is petted, talked to, and fed choice morsels. It shares the living quarters of the woman’s house with the humans until it is between eight months and a year of age,” at which time it left to forage during the day and to return at night for a ration of substandard tubers and a stall adjoined to the house (58). Although there are wild pigs around, this edible incentive and the bond between the pigs and their carers are enough to keep most of them coming back (59). “It is hardly facetious to say that the pig through its early socialization becomes a member of a Maring family” (59).
In fact, the life the Maring revolves so much around pigs that patterns of cultivation change to keep them all fed (63). In a large herd, the pigs might be eating more crops than the people, and as substandard tubers become insufficient for their rations, the Maring begin to spend extra time and labor cultivating food just for their animals (60). The pigs even affect residence patterns, as people space themselves far enough apart that their pigs don’t ruin each other’s gardens — and social relationships in the process (68). According to Rappaport, the reason for the ritual cycle of slaughter is to keep herds a manageable size, and the reason for keeping pigs in the first place is to convert “carbohydrates into high-quality protein and fat” (ibid). But given the social integration of pigs into Maring society, their value is more than just utilitarian. Since the pigs are theoretically free to wander off, they are not forced to play a part in human transactions but instead occupy a cultural position that they participate in themselves.
In the Highlands, domesticated pigs are livestock set apart from human life. They play a central role only as abstract entities with exchange values, as representatives of human relationships between different communities and between men and women. As animals per se they must be fenced off, away from gardens and also the wild spaces they might return to. For the Etoro, the Wola, and the Maring, pigs instead are brought into society, raised as members of the community where they provide services both utilitarian and ritual, and in return receive human services. And the Kubo, whose women raise piglets practically from birth, form the most intimate bonds with their pigs, so close that the pigs are actually excluded from the rest of human society. Kubo pigs only gain exchange value by becoming pork (Dwyer & Minnegal 48).
If the lowland women do not cry over their pigs, it is because they have control over them. Pigs in New Guinea must be domesticated on an individual basis since “the wild and domestic pig populations remain today genetically continuous” (Sillitoe 244). Domestic males are castrated for the purposes of making them docile (Rappaport 70), so all piglets haves a wild father. In the lowlands pigs are left to forage in the forest, meaning that they are only domesticated so long as they form attachments to their human caregivers. “They always remain potentially free and wild” (Sillitoe 334). This ambiguity is felt most keenly for highland women, for whom pigs are effectively wild animals who escape control and become effective social entities only in the hands of men. As with the Navajo and their sheep, domesticity is a measure of human domination; it is only with those animals slightly beyond our control, yet socialized to be within our grasp, that we can hope to relate, and not just use as tokens in our own human interactions.
The Achuar people of the Amazons do not keep sheep or pigs for meat, but instead hunt game in the forest. Despite the fact that once having met an animal, a hunter is unlikely to see it again alive, the Achuar conceive of their relationships with game animals as long-term and highly social affairs. “The hunter must establish with each game type a personal bond of unity that he must cultivate throughout his lifetime” (Descola 260). He pays respect to the animals he has killed by “reverently” keeping their skulls and mounting them on his house (258). The animals are even considered to be “very special ‘guests’ at human meals” in what Descola conceives of as “an extension of the domestic domain to include game” (268).
Game animals are indeed domesticated to the Achuar, but they aren’t their domestic animals. They are instead the possessions of “game mothers”, a variety of spirits who care for and consume wild animals, acting “as humans do towards their domestic animals” (258). It is through negotiations with the game mothers that hunters are able to take from what are essentially herds of livestock. Thus game animals are not conceived of as wild and beyond human control. Hunting is a cultural transaction with threatens to leave real animals out of the picture.
That said, hunters also negotiate with the animals, but still through a cultural lens. The Achuar are animistic, considering animals to have an interiority much like that of humans. In fact, as they see it, animals believe they are human. This allows human-animal relationships to become knowable in terms of social relations that already exist between people (267). For example, woolly monkeys are considered to be brothers-in-law and exemplars of the prescribed bilateral cross-cousin marriage law. Since the monkey’s supposed affinal relationship to the hunter makes his sisters potential spouses, in one anent — a magic song that hunters use to contact game mothers and the representatives of prey species — the hunter “must therefore convince the animal that it has to hand over its sisters to this man for a necessarily deadly union” (262). Although animals are “recognized as having a social existence” (268), that social existence is not their own. In this case the charming and cajoling is addressed not to the particular woolly monkey that the hunter hopes to kill, but an abstract entity constructed for the purposes of making wild animals understandable in human terms.
So we return to the predomestic Navajo conception of game animals as part of the same spiritual essence as humans, complicit in their deaths because they are part of productive relationships with hunters. These relationships are not between individual humans and individual animals, however, but rather imagined relationships between individual humans and whole species, or the guardians of those species. “Human sociality is based on a recognition of other human beings as individual persons, whereas hunter sociality with prey seems to be based on a view of empirical animals as substitutable tokens in a class” (Knight 4-5). This is true of commodified livestock as well. Though prey animals are not dominated by humans, they lack the closeness required for mutual social interactions to occur. The Achuar see ‘wild’ animals through cultural conceptions which may be informed by animal behavior, but which nonetheless claim intimate domestic relationships with them that do not exist for the animals.
Meat, and the animals that provide it, are central to social discourse. “Meat which was shared became a token of the group itself, of its identity, unity, and power” (Spencer 180), just as the sharing of sheep duties is for the Navajo and the exchanging of pigs is for the tribes of New Guinea. Achuar men say they must hunt because their wives crave meat, and “maintain that without meat life is hardly worth living” (Descola 250). They also differentiate between regular hunger and meat-hunger, as do other cultures around the world including the Canela of Amazonia and the !Kung of the Kalahari (Fiddes 13). The most salient and important thing about meat is that it comes from animals, and thus viscerally represents the power of humans over those animals. It is the final stage of domesticity, before which there is always the danger, however slight, that the animals will escape our limited conceptions of them.
We mark, bribe, and woo them, but rarely do we find the middle ground in which we come to know them in a framework that they also actively participate in. In modern postdomestic society, identities and interpersonal relationships do not feature domestic meat animals. There are no sheep to build families around, no pigs to mediate gender relations. Stripped of its sociocultural values, the posited human-animal relationship involved in eating meat disappears. Relating to animals directly through meat becomes awkward, as in the case of this humane farmer who raises lambs and loves every one: “Instead of being sad or upset at the lamb chop on my plate, I was overcome with gratitude. It wasn’t the sort of gratitude you feel when someone sacrifices something for you, since the animal I was eating had made no such choice; I’d made the choice for it” (Friend 252). In a similar case, an organic free-range meat vendor remarked, “‘Oh, yes, these animals are our dear friends.’ I responded, politely but seriously: ‘That’s an odd thing to say; I hope that you don’t treat your other “dear friends” this way.’ The vendor laughed. She thought I was joking” (Francione).
The close connection between farmers and their traditionally-raised animals is what makes this ‘happy meat’ so appealing. Yet perhaps it is not that factory-farmed animals are treated inhumanely, but rather that they are so disconnected from human society that they no longer make sense to us. People do not interact with animals, they interact through animals, and if meat “tangibly represents human control of the natural world” (Fiddes 2), then this control must be made clear through our ability to dominate in our relationships with those animals. Since humans are largely absent from factory farms, domesticity loses all intelligibility. At the same time, the relationships we perceive ourselves as having with our domestic animals are illusions. They require a reciprocity that for the most part does not exist outside of our cultural imagination. There may be a middle ground between domestic and wild, culture and nature, in which human and non-human animals can socialize each other, but that may involve giving up meat — and certainly giving up control.
Bulliet, Richard W. 2005. Hunters, Herders, and Hamburgers, Columbia University Press.
Descola, Philippe. 1994. In the Society of Nature, Cambridge University Press.
Downs, James F. 1964. Animal Husbandry in Navajo Society and Culture, University of California Press.
Dwyer, Peter D. and Monica Minnegal. 2005. “Person, Place or Pig”, Animals in Person, Berg Publishers.
Fiddes, Nick. 1991. Meat: A Natural Symbol, Routledge.
Francione, Gary L. 21 Sep 2008. “These animals are our dear friends”, Animal Rights: The Abolitionist Approach, http://www.abolitionistapproach.com/?p=166.
Friend, Catherine. 2008. The Compassionate Carnivore, Da Capo Press.
Knight, John. 2005. “Introduction”, Animals in Person, Berg Publishers.
Sillitoe, Paul. 2003. Managing Animals in New Guinea, Routledge.
Spencer, Colin. 1995. The Heretic’s Feast: A History of Vegetarianism, UPNE.
Rappaport, Roy A. 1984. Pigs for the Ancestors, Yale University Press.
Wood, John, Walter Vannette, and Michael Andrews. 1982. “Sheep is Life”, Northern Arizona University Press.
Yarwood, Richard and Nick Evans. 2000. “Taking stock of farm animals and rurality”, Animals Spaces, Beastly Places (eds. Philo and Wilbert), Routledge.
Sleepy afternoon eyes
Legs still from moving
Thinking slow like light diffusion
Alone in the breeze
And wanting nothing else.
The truck with all the trees
Rolls slowly down the street.
The gypsy calls
To sell! The trees!
But no one comes to buy
And the truck just rolls on by.